There’s a unique kind of momentum that builds quietly before it becomes impossible to ignore. AKASHIC GODS has been building exactly that, one precisely placed release at a time, and today’s arrival of Karmic Justice makes the shape of what she’s constructing much clearer.
The third single drops March 20, 2026, and it lands not as a standalone statement but as the latest chapter in a world she’s been assembling with obvious intention. Two singles in, she already had chart positions that most independent artists spend years chasing. Gods and Machines reached No. 2 on the UK Talk Radio Hot 100. Then Weapons in Space went one better, hitting No. 1 and staying there for three consecutive weeks through December 2025. That’s not a fluke trajectory. That’s an artist who knows how to sequence a campaign.
“Karmic Justice” clocks in at exactly 3:33, which feels less like coincidence and more like the kind of deliberate detail this project tends to traffic in. The track is alternative indie rock, built on gritty guitar riffs, driving drums, rock bass, and synth textures underneath a vocal delivery that manages to feel both restrained and commanding. Produced by Carlone Lewis, mixed by Lewis and AKASHIC GODS, and mastered by Andy Baldwin at Metropolis Studios, it has a clarity to it that matches the themes: no ambiguity, no hedging.
The music video matches that energy. Shot with a dark, industrial-chic aesthetic, it combines high-energy performance footage with atmospheric imagery, statues, crosses, samurai-style masks, and figures that lean into the project’s mythological undercurrent. Digital glitch effects run through the editing at a pace that mirrors the urgency in the track. The color palette is deep reds, blacks, and greens, which isn’t subtle but then again, subtlety isn’t really the point here.
What makes this third single more interesting than just another release-cycle checkbox is how deliberately it points toward what’s coming next. The forthcoming debut album, also titled Gods and Machines, is expected this summer and is being produced by Carlone Lewis at Firmhouse Studios, with guitar/drums from Alan Riggs, who played guitar for Delta 5, whose track “Mind Your Own Business” was featured in an Apple TV commercial four years prior. That’s a production setup with some real pedigree behind it, and the singles have been doing the advance work of establishing what kind of record it’s going to be.
AKASHIC GODS, for context, made a full genre pivot in 2024, stepping away from a dance music background that had earned her support from names like David Guetta and Fatboy Slim, and rebuilding around alternative indie punk rock and avant-garde new wave. The reinvention wasn’t gradual. It was deliberate and total, the kind of creative reset that either defines an artist or dissolves them. Based on the last few months, she’s very much in the former category.
The live side has been keeping pace with the recorded output. Recent shows at The Camden Club and Water Rats have added to a performance history that already includes appearing alongside SHALAMAR, performing at Radio 1 Live, and showing up at Arthur Barker’s Return to New York event. Guitarist Richard Pedroso and producer Carlone Lewis have joined as live collaborators, which means the world she’s been constructing in the studio is now being translated in real time on stage.
Recognition has followed in other directions too. She earned Notting Hill’s Rockstar Award, landed a cover feature in The Guild of International Songwriters and Composers Magazine in November 2024, and appeared in the Daily Mirror’s “Streets of Peace” campaign. In January 2026, she was interviewed at the UK premiere of sci-fi film “Dream Hacker” about the forthcoming Karmic Justice release, which says something about how far the project’s reach has extended beyond the music itself.
The full picture you can get from her press feature on Just News International shows an artist who’s done the groundwork across multiple fronts simultaneously. Chart runs, live shows, press coverage, visual identity, and now a three-single runway into a debut album that’s been in the making throughout all of it.
That’s the thing about “Karmic Justice” that matters most today. It’s not the conclusion of anything. It’s the final setup, the last chapter before something larger arrives. Whether the album delivers on what these three singles have been promising is the question. Right now, the question feels worth asking.
Follow AKASHIC GODS on Facebook, Instagram, TikTok, and X.
